Posts para a tag ‘Pedro de Lemos Menezes’

Mach 3: from the razor blade to the speed of sound

Thursday, July 1st, 2010

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Leia este post em Português

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In late afternoon, a supersonic American Air Force jet streaks across the Sky, capable of flying at several times the speed of sound. Inside the F-16, a bearded pilot sees his plane disintegrate as its speed increases from Mach 1, Mach 2… Suddenly… Mach 3… Wow!!!!!! The pilot appears clean shaven, with a Gillette razor in hand. A new model, known as Mach 3, with three blades that shave closer and much faster* (Click here to see a video).

Speed of sound

In the 19th century the Austrian physicist and philosopher Ernest Mach studied the action of bodies that travel at high speeds and how to measure them precisely. He also studied shock waves and how to break the speed of sound.  The Mach unit (Ma) was created in his honor and is defined as the relationship between the velocity of the object and the speed of sound.

Thus, when a body reaches the speed of sound, approximately 1,224 Km/h**, its Mach is 1 (sonic speed). A body reaches Mach 3 when its velocity is 3×1.224, that is, approximately 3,672 Km/h (supersonic speed). For Ma > 5, the speeds are known as hypersonic.

 

What is the sound barrier?

An increase in speed accumulates shock waves in front of the body, when its speed is close to that of the spreading of these waves. A “compressed air barrier” emerges at the front of the body. When the body exceeds the speed of sound, it literally breaks this barrier (Click here) and a very strong boom is heard.

* Manufacturer’s information ** Speed varies with temperature and local air pressure.

Recommended visting:

http://en.wikipedia.org/wiki/Ernst_Mach

http://pt.wikipedia.org/wiki/N%C3%BAmero_de_Mach

Author: Pedro de Lemos Menezes

Email: pedrodelemosmenezes@gmail.com

Posts: Every friday.

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Perfect pitch

Wednesday, January 27th, 2010

Leia este post em Português

 

au_carnegie_hall            At Carnegie Hall in New York City, the local philharmonic orchestra has a full complement of musicians.  More than 100 musicians play together, allowing theater goers to experience a bit of heaven, at least musically speaking.

            For me, seated in the seat J45, in the middle of the theater, everything seemed perfect. But it wasn’t. Everything was not so perfect for the conductor. Suddenly he interrupted the performance by rapping his baton on the pedestal. He looked upset. Something was irritating his ears. Then he said:

- Second row of violins, fourth instrument, third string, out of tune, half semitone higher, please!!!

            The beauty of the spectacle from then on didn’t matter to me anymore. The unexpected occurrence that showed the conductor’s perfect pitch demonstrated to me how high human creativity can reach and how much most of us can still grow.

 

What is perfect pitch?

            The capacity of mentally visualizing sound frequencies, perfect pitch (click to see documentary) or of humming the same pitch (active perfect pitch), does not appear to be related to any significant structural modification, but rather to a tendency of central physiological mechanisms that can be stimulated, mainly up to five years of age.

            Studies show (see SACKS, 2007) that we can train our ears to obtain an even more prodigious musical journey, but the genetic factor apparently determines the greater likelihood of the emergence of this skill.

 

Recommended reading:

Musicophilia: Tales of Music and the Brain, by Oliver Sacks.

 

Author: Pedro de Lemos Menezes

Email: pedrodelemosmenezes@gmail.com

Posts: Every Monday

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